“They Don’t Rate Us” — Peller Calls Out Nigerian Musicians Over Treatment of Local Streamers

Popular Nigerian TikToker and streamer Peller has stirred conversation online after criticising the attitude of some Nigerian musicians toward local content creators and media personalities.

Speaking during a recent livestream in Enugu, Peller claimed that based on his personal experience working with artists, only a few Nigerian musicians show genuine kindness and support to local streamers.

He alleged that many artists prefer to engage with foreign influencers and platforms, often sidelining Nigerian creators until their popularity begins to decline.

“Nigerian musicians don’t rate local streamers… they will be streaming with Americans, but when they don turn old taker, na then dem go dey find Naija streamers,” he said.

Despite his criticism, Peller singled out a few artists he believes have remained supportive, including Davido, Olamide, and Tiwa Savage.

He concluded by urging Nigerian entertainers to value and collaborate more with local media and influencers, regardless of their international success.

Opinion: A Real Issue the Industry Rarely Admits

Peller’s comments may sound blunt, but they touch on a reality many local creators quietly experience. As Nigerian music continues to gain global recognition, there has been a noticeable shift toward international platforms, often at the expense of homegrown media.

From a business perspective, this move is understandable—global exposure brings bigger audiences and revenue. However, it raises an important question: should global success come at the cost of local support?

Local streamers and media platforms play a key role in building artists from the ground up. Ignoring them after achieving fame can create a disconnect between artists and their original fan base.

That said, Peller’s generalisation may not fully represent the entire industry. While some artists may overlook local creators, others continue to engage and invest in the Nigerian media space.

Ultimately, the conversation is less about blame and more about balance. True growth in the entertainment industry should not just be global—it should also remain rooted at home.