Paris Promoter Accuses Kizz Daniel of Failing to Perform After Collecting €80,000 Fee

A Paris-based event promoter has publicly accused Nigerian music star Kizz Daniel of failing to perform at a scheduled show in France despite allegedly receiving full payment.

In a video shared on X (formerly Twitter), the promoter claimed that the singer—known for hit songs like “Buga” and “Twe Twe”—was paid €80,000 (approximately ₦135 million) for the performance, alongside an additional €7,000 to cover travel expenses.

According to the promoter, Kizz Daniel made a series of last-minute demands, including requesting seafood before leaving his hotel and rejecting the transportation provided for him. The artist reportedly insisted on being chauffeured in a Rolls-Royce or Range Rover instead of the arranged van.

Despite all efforts and payments, the promoter said Kizz Daniel arrived late in Paris and never performed, leading to huge financial and reputational losses for the organizers.

“I am asking everyone to urge him to refund my money,” the promoter lamented. “He arrived late and didn’t perform after collecting €80,000. The refund must happen immediately.”

As of press time, Kizz Daniel or his management team has yet to release an official statement addressing the allegations.

Opinion: When Stardom Overshadows Professionalism — A Wake-Up Call for Nigerian Artists

The unfolding drama between Kizz Daniel and the Paris promoter once again raises a crucial question about professionalism and accountability in the Nigerian music industry.

While it’s undeniable that Kizz Daniel is one of the most talented and influential voices in Afrobeats today, controversies surrounding show cancellations and performance disputes have repeatedly trailed his career. From Tanzania in 2022 to this alleged Paris incident, the pattern—if true—points to a troubling disconnect between artistry and responsibility.

Artists of Kizz Daniel’s caliber carry not just fame but the reputation of Afrobeats on the global stage. When promoters in foreign countries risk huge sums and trust Nigerian performers to deliver, failure to show up damages the credibility of the entire industry.

Of course, artists deserve respect, comfort, and fair treatment—but professionalism demands balance. The same energy poured into creativity must extend to keeping promises and honoring contracts.

If the promoter’s claims hold water, this episode should serve as a moment of reflection—not just for Kizz Daniel, but for every artist representing Nigerian music abroad. Stardom should amplify integrity, not overshadow it.