“Gospel Artists Just Want the Bag Too” – Spyro Sparks Debate Over Motives in Christian Music
Nigerian singer Oludipe Oluwasanmi David, better known as Spyro, is stirring up conversations — and maybe even a few church pews — with his latest revelation.
In a recent interview on Hip TV’s Trending with Pascal, the ‘Who’s Your Guy?’ crooner made a bold claim: many gospel artists today aren’t driven by ministry or spiritual passion — they're in it for the money, just like their secular counterparts.
“The people that claim to be gospel artists or gospel ministers are just artists — they are in the business to make money just like us in the Afrobeats industry.”
🧠 OPINION: A Mirror to the Gospel Industry
Spyro’s words might sting — but maybe, they also ring true.
The gospel music scene, once known for its deep spirituality and sincere worship, is now intertwined with concert tickets, brand sponsorships, PR teams, and Spotify stats. It begs the question: has the message taken a backseat to the marketing?
It’s not to say gospel artists shouldn’t earn — art is work, ministry or not — but when the intention begins to mirror the pursuit of fame and riches, it’s fair to ask: What makes it gospel anymore?
👩🏾🎤 “Tems Is Doing It Right” — Spyro Hails Female Decency in Music
Spyro didn’t stop there. He also touched on the mounting pressure female artists face to hypersexualize their image for clout.
“There is a lot of pressure on female artists to do crazy things. Tems is holding it down decently yet she is one of the biggest [female artists] in the world.”
Indeed, Tems has proven that class and talent still go hand-in-hand — her global rise stands as a powerful counter to the industry’s pressure to over-expose.
Spyro believes young girls in music — and beyond — should be looking up to women like Tems as their blueprint.
🎧 The Bigger Conversation: Authenticity vs. Industry Pressure
Spyro’s statements — love them or loathe them — are forcing a much-needed dialogue. Whether it’s gospel artists chasing charts or women being boxed into hypersexualized images, one thing is clear:
Authenticity in music is under pressure.
In a world where algorithms now drive sound and style, it’s refreshing to hear artists call out the game — even if it means ruffling a few feathers in the process.
What do you think? Is Spyro right? Has gospel music lost its soul? Is Tems the new standard for balance in artistry?
Let the conversation begin. 💬
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