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“No Real Friends in the Industry” – Ruger Gets Real About the Nigerian Music Scene

“No Real Friends in the Industry” – Ruger Gets Real About the Nigerian Music Scene

Afrobeats sensation Ruger, born Michael Adebayo Olayinka, is known for his bold lyrics and signature eye patch—but this time, he’s pulling no punches in real life.

In a candid interview on The Stanley Agu Show, the “Asiwaju” crooner peeled back the curtain on the Nigerian music industry, describing it as a space where genuine friendships are rare, and most relationships are driven by what you can offer—not who you are.

“The most you can have is maybe two genuine friends that stand by you… Everything is business. Nobody cares,” Ruger said. “They’re moving around with you because you can offer at that time. The moment you might not be able to offer anything, a lot of people will switch.”

His statement has stirred conversations across social media, with fans and artists alike reflecting on the cutthroat nature of fame and how fast “industry love” can turn cold.

🎤 Opinion: Ruger Isn’t Bitter—He’s Being Honest

Ruger’s remarks might sound harsh, but they echo what many in the entertainment world often whisper behind closed doors. The music industry, especially in fast-paced scenes like Afrobeats, can be as lonely as it is glamorous. Collaborations are often strategic, friendships transactional, and loyalty—well, that’s usually optional.

Ruger is essentially saying: “Don’t be fooled by the selfies and shout-outs. Behind the scenes, it’s survival of the hottest.”

And while some fans see it as a wake-up call, others applaud him for speaking a truth many younger artists need to hear. It's a reminder that beyond the lights and luxury, every artist needs a solid support system that money, fame, and chart success can’t buy.

What do you think? Is Ruger right about the lack of genuine friendships in the Nigerian music industry, or is it just his experience?

Let’s hear your thoughts. 👇
#RugerOnRealness #MusicIndustryTruths #AfrobeatsUnfiltered #NoNewFriends

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