The Performing Musicians Employers’ Association of Nigeria, Federal Capital Territory (FCT) Chapter, has issued a strong directive to hotel owners, event planners, and key stakeholders in Abuja’s entertainment industry, mandating them to seek official permission before engaging live music bands or risk facing sanctions.

The warning was delivered by the association’s acting governor, Michael Oyibo Kaycee, during a press conference held in Abuja on Friday. He stressed that only certified musicians should be engaged for events, as part of efforts to uphold professional standards within the industry.

According to Kaycee, PMAN is taking a firm stand against what it describes as longstanding issues of exploitation, disrespect, and underpayment of musicians in the capital city.

“You are required to obey industrial standards, engage certified musicians, and fulfil your obligations. Our task force is fully operational from today,” he stated.

He further emphasized that the association’s authority must no longer be overlooked, warning that show and event planners must now formally liaise with PMAN before hosting live band performances.

Beyond regulation, Kaycee also highlighted a broader shift in the entertainment landscape, raising concerns over the drastic decline in traditional television viewership. He noted that digital platforms have overtaken TV as the dominant channel for content distribution, making it easier for individuals—even in remote areas—to achieve global recognition through mobile devices.

In his appeal, Kaycee called on the Minister of the Federal Capital Territory, Nyesom Wike, to intervene and support the association’s efforts to protect the welfare of musicians.

Opinion: A Necessary Reform or an Added Burden?

PMAN’s latest directive signals a bold attempt to bring structure and accountability to an industry that has long operated with minimal regulation. On one hand, the move is justified. Nigerian musicians—especially live performers—have often been underpaid, overlooked, and exploited despite being central to the success of events. Enforcing standards could finally give these artists the dignity and financial recognition they deserve.

However, the policy also raises practical concerns. Requiring event planners to obtain permission before hiring live bands could introduce bureaucracy that slows down creativity and event planning. For smaller event organizers or startups, this may feel like an added hurdle rather than support.

There’s also the bigger picture: as Kaycee rightly pointed out, the entertainment world is rapidly shifting to digital platforms. While regulating live performances is important, PMAN must also evolve to support musicians in navigating this digital era—where influence, visibility, and income are increasingly driven by online presence rather than physical stages.

In the end, the success of this directive will depend on balance. If implemented transparently and fairly, it could elevate the music industry in Abuja. But if mishandled, it risks becoming just another layer of control in an already challenging creative space.