I Won’t Get Involved” — Ogogo Distances Himself from Toyin Abraham–Funke Akindele Feud

Veteran Nollywood actor Taiwo Hassan, popularly known as Ogogo, has publicly declined to intervene in the renewed tension between actresses Toyin Abraham and Funke Akindele.

Ogogo made his stance clear during an interview with Feel Right TV, following a recent incident at actress Iyabo Ojo’s movie premiere, where Funke Akindele was seen snubbing Toyin Abraham—an episode that has reignited conversations about their relationship just eight months after their reported reconciliation.

Refusing to delve into the specifics of the situation, Ogogo described women’s disputes as “too complicated” to get involved in. He, however, did not hold back in expressing disappointment, questioning why two successful figures in the industry would allow such issues to persist.

“I don’t interfere in women’s disputes. Both of them are blessed by God. So, why are they fighting? When men have similar issues, they laugh over it and move on, but women will make a mountain out of a low hill,” he said.

The actor added that it would be unwise for him to step into what he termed “women’s drama,” emphasizing the difficulty of mediating such conflicts.

His comments come shortly after fellow veteran actress Saje claimed she had stepped in to reconcile both parties, urging them to keep their differences away from public scrutiny and social media.

Opinion: Stardom, Ego, and the Cost of Public Drama

Ogogo’s remarks reflect a sentiment many in the industry quietly share: some conflicts are better left to those directly involved. However, framing the issue strictly as a “women’s dispute” may oversimplify what is actually a deeper challenge—managing relationships, ego, and public image in an intensely visible industry.

Both Toyin Abraham and Funke Akindele are not just actresses; they are brands, influencers, and role models to millions. When tensions between such high-profile figures spill into public spaces—whether intentional or not—it quickly becomes more than a personal issue. It shapes narratives, fuels fan divisions, and distracts from their creative contributions.

That said, Ogogo’s core point still stands: there is a need for perspective. In an industry where success is hard-earned and fleeting, prolonged conflicts can do more harm than good. The ability to resolve differences privately and move forward is a mark of maturity—regardless of gender.

Ultimately, the real concern isn’t who snubbed who, but whether Nollywood’s biggest stars can rise above personal differences and protect the image of an industry that continues to gain global recognition