Nigerian singer Omah Lay has voiced strong concerns about what he describes as a decline in the quality of Nigerian music and Afrobeats in recent years.

Speaking in an interview with ViewsFrance, the “Soso” hitmaker criticised the growing trend of artists prioritising quick money and fame over creativity and depth in music-making.

“Nigerian music is drifting towards a place where artists are not putting so much effort into the art anymore,” he said.

Omah Lay argued that this shift is beginning to negatively impact not just the sound of Afrobeats, but also the perception of African culture on the global stage. According to him, many artists are no longer focused on improving their craft or pushing creative boundaries.

“Most artists are just playing with music these days… it is just quick money and it is really dipping the audience and the new generation,” he added.

While acknowledging that the global expansion of Afrobeats is largely positive, the singer warned that it may also be contributing to a decline in artistic standards. He urged fellow artists to raise the bar and deliver more meaningful, high-quality music for the next generation.

Opinion: Growth Without Depth Could Hurt Afrobeats in the Long Run

Omah Lay’s comments may sound harsh, but they reflect a concern many music lovers quietly share.

Afrobeats is currently at its peak globally. From international charts to sold-out arenas, Nigerian artists are achieving unprecedented success. But with that success comes pressure—and sometimes, shortcuts.

The rise of “fast music” driven by trends, viral moments, and streaming numbers has made it easier for artists to prioritise quantity over quality. Songs are released quickly, often built around catchy hooks rather than meaningful storytelling or lasting artistry.

Omah Lay’s warning is not about stopping growth—it’s about sustaining it.

Because the truth is, global audiences don’t just want volume; they want value. The artists who stand the test of time are those who combine commercial success with creativity and depth.

At the same time, it’s important to recognise that Afrobeats is evolving. Different sounds, styles, and approaches can coexist. Not every song needs to be deeply lyrical to be impactful.

However, if the balance tilts too far toward quick gains, the industry risks losing the richness that made it special in the first place.

Omah Lay’s message, therefore, is less of a criticism and more of a challenge—a call for artists to not just ride the wave of Afrobeats, but to shape its future with intention and excellence.