Pasuma Reflects on Music Industry Changes, Addresses Busola Oke and Bayowa Dispute
Veteran Fuji musician Pasuma has opened up about the complexities of the music industry while commenting on the recent issues surrounding fellow singer Busola Oke and Bayowa.
Speaking with Face TV Africa, Pasuma emphasized that any disagreements over the sharing of song proceeds are personal matters known only to those directly involved. “Whatever happened between Bayowa and Busola is between them and God. We don’t know their agreement on the sharing formula for her songs,” he said.
The Fuji star also reflected on how the music industry has evolved over the years, noting that a hit song does not always translate into strong physical sales. Many artists, he explained, rely on live performances to generate income. He highlighted that revenue-sharing practices differ between genres, pointing out that Juju music operates differently from Fuji music in terms of profit distribution.
Using Busola’s hit track Eleyele as an example, Pasuma observed that audience tastes change rapidly. “The time she sang Eleyele has passed because people have moved on from that kind of music,” he said, adding that longevity in the industry is a blessing. “Anyone who was singing then and is still singing now is just by the grace of God.”
Pasuma also expressed empathy for Busola, noting how he felt for her after watching a video of her in tears. He encouraged understanding that the music business does not always follow a straight path, and what worked years ago may not resonate the same way today.
Opinion: Respecting Boundaries and Adapting in Music
Pasuma’s insights offer a valuable perspective on the realities of the Nigerian music industry. The dispute between Busola Oke and Bayowa underscores how sensitive financial arrangements can be, particularly when public opinion often oversimplifies behind-the-scenes complexities. By emphasizing that outsiders cannot fully understand these arrangements, Pasuma reminds fans and critics alike to avoid rushing to judgment.
His observations on changing audience tastes also highlight an important truth: survival in music requires adaptability. Hits that dominated a decade ago may no longer capture listeners’ attention, and artists must evolve alongside trends while maintaining authenticity.
Finally, Pasuma’s empathy toward Busola illustrates the human side of the industry. Beyond the glitz and applause, artists face emotional and financial pressures that the public may rarely see. Recognizing this fosters greater appreciation for the resilience of musicians navigating an ever-changing landscape.
In an industry that moves at lightning speed, Pasuma’s words are a reminder that longevity, grace, and understanding are as vital as talent itself.
