Lagos · Friday 11 September 2026
Omowunmi Dada has urged Nigerians to show Nollywood more grace, arguing that comparisons with Hollywood overlook the local industry's history and the conditions it works under.
The comparison is genuinely unfair
| Hollywood | Nollywood | |
|---|---|---|
| Typical budget | Tens of millions of dollars | A tiny fraction of that |
| Shoot length | Months | Often two to four weeks |
| Crew | Hundreds, unionised | Dozens, largely freelance |
| Power on set | Assumed | Generators, budgeted for |
| Age of the industry | Over a century | A few decades at scale |
Judging the two by the same standard is a category error.
The other side of the argument
Audiences do not grade on a curve, and they should not have to. A Nigerian paying for a cinema ticket or a subscription is choosing between a Nigerian film and everything else available, and "given the constraints" is not a defence that survives contact with a viewer's Friday evening.
Context explains why a film is what it is. It does not make it good, and audiences only pay for the second thing.
Where both things are true at once
The comparison is unfair and it has also been useful. Nigerian production values have risen sharply in the streaming era precisely because audiences who watch international material started expecting more. Pressure that feels ungenerous from inside an industry is frequently what improves it.
The structural point she is gesturing at
What holds Nollywood back is not talent or effort. It is financing, distribution and the absence of a royalty system, which is the same gap Omotola Jalade-Ekeinde described this month when she said thirty years produced none. An industry where the work stops paying the moment it is delivered cannot invest in the next thing.
Grace is a reasonable ask. A participation clause in a standard contract would do more.
Reporting: Legit News and published interviews.
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